A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 13
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
Pagina 40
... kind of art was found . In short , if we put together all the art of the world , the kind of art we associate with Raphael or Breughel or Constable is seen to be a minority . It is merely one kind of art , and it is confined to a few ...
... kind of art was found . In short , if we put together all the art of the world , the kind of art we associate with Raphael or Breughel or Constable is seen to be a minority . It is merely one kind of art , and it is confined to a few ...
Pagina 499
... kind , except perhaps indirectly if the changes of intensity involved are such as to upset an equilibrium previously existing , and thus force the recasting of life in a different qualitative pattern . If however the impulse is a novel ...
... kind , except perhaps indirectly if the changes of intensity involved are such as to upset an equilibrium previously existing , and thus force the recasting of life in a different qualitative pattern . If however the impulse is a novel ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words