A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 13
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , " as its bloom is an addi- tion to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
Pagina 40
... kind of art was found . In short , if we put together all the art of the world , the kind of art we associate with Raphael or Breughel or Constable is seen to be a minority . It is merely one kind of art , and it is confined to a few ...
... kind of art was found . In short , if we put together all the art of the world , the kind of art we associate with Raphael or Breughel or Constable is seen to be a minority . It is merely one kind of art , and it is confined to a few ...
Pagina 499
... kind , except perhaps indirectly if the changes of intensity involved are such as to upset an equilibrium previously existing , and thus force the recasting of life in a different qualitative pattern . If however the impulse is a novel ...
... kind , except perhaps indirectly if the changes of intensity involved are such as to upset an equilibrium previously existing , and thus force the recasting of life in a different qualitative pattern . If however the impulse is a novel ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole