A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 288
... knowledge . That as far as he could it would be wise for him to organize himself in this way , with knowledge as the foundation on which should rest feeling , attitude , and behavior . In point of fact , he never has been so organized ...
... knowledge . That as far as he could it would be wise for him to organize himself in this way , with knowledge as the foundation on which should rest feeling , attitude , and behavior . In point of fact , he never has been so organized ...
Pagina 296
... knowledge for that old dream of a perfect knowledge which would guarantee perfect life to retain its sanction . What was thought to be pure knowledge , we see now to have been shot through with hope and desire , with fear and wonder ...
... knowledge for that old dream of a perfect knowledge which would guarantee perfect life to retain its sanction . What was thought to be pure knowledge , we see now to have been shot through with hope and desire , with fear and wonder ...
Pagina 391
... knowledge that guides the child's behavior in the nursery and the savage's life in the forests up to the most complex knowledge which directs the actions of the modern engineer or physician , every new understanding of connection has ...
... knowledge that guides the child's behavior in the nursery and the savage's life in the forests up to the most complex knowledge which directs the actions of the modern engineer or physician , every new understanding of connection has ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words