A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina xxiv
... language of dream and myth and art is a merely private and subjective language is being dis- proved by modern anthropology and psychology . As Erich Fromm has said : " The essence of symbolic language is that inner experiences , ones of ...
... language of dream and myth and art is a merely private and subjective language is being dis- proved by modern anthropology and psychology . As Erich Fromm has said : " The essence of symbolic language is that inner experiences , ones of ...
Pagina 240
... language in the sense of speech , and other modes of expression . Of course , if he had said that speech is not the only form of language , but that every art speaks to us in a language of its own , that would have had much to be said ...
... language in the sense of speech , and other modes of expression . Of course , if he had said that speech is not the only form of language , but that every art speaks to us in a language of its own , that would have had much to be said ...
Pagina 587
... Language , and Behavior , New York , 1946 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 , Part III . Ogden , C. K. , and Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. ...
... Language , and Behavior , New York , 1946 . Nahm , Milton C. , Aesthetic Experience and Its Presuppositions , New York , 1946 , Part III . Ogden , C. K. , and Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words