Dall'interno del libro
Risultati 1-3 di 72
Pagina xxiv
and greet each other." 10 By means of art, the solitudes flow together; love and
imaginative understanding become possible. The idea that the language of
dream and myth and art is a merely private and subjective language is being
disproved ...
and greet each other." 10 By means of art, the solitudes flow together; love and
imaginative understanding become possible. The idea that the language of
dream and myth and art is a merely private and subjective language is being
disproved ...
Pagina 238
It seems in a sense to have almost no material element, to work directly with
significant ideas in which the objects of the imagination are conveyed. Language
is so transparent, that it disappears, so to speak, into its own meaning, and we
are ...
It seems in a sense to have almost no material element, to work directly with
significant ideas in which the objects of the imagination are conveyed. Language
is so transparent, that it disappears, so to speak, into its own meaning, and we
are ...
Pagina 587
Alorris, Charles, "Science, Art and Technology," Kenyon Review, Vol. i (1939), pp
. 409-423 (reproduced in the present volume). , Signs, Language, and Behavior,
New York, 1946. Nahrn, Milton C, Aesthetic Experience and Its Presuppositions,
...
Alorris, Charles, "Science, Art and Technology," Kenyon Review, Vol. i (1939), pp
. 409-423 (reproduced in the present volume). , Signs, Language, and Behavior,
New York, 1946. Nahrn, Milton C, Aesthetic Experience and Its Presuppositions,
...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words