A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 73
Pagina 142
... least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is ...
... least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is ...
Pagina 224
... least beautifully done . " Unrealism " is concerned with neither edification nor imitation . It aims directly at beauty of form . And as attention to form must compete with attention to content , the significance of the one requires the ...
... least beautifully done . " Unrealism " is concerned with neither edification nor imitation . It aims directly at beauty of form . And as attention to form must compete with attention to content , the significance of the one requires the ...
Pagina 296
... least affected by the change are those who are emotionally least removed from the animals . . . . It is important to diagnose the disease correctly and to put the blame in the right quarter . Usually it is some alleged " materialism ...
... least affected by the change are those who are emotionally least removed from the animals . . . . It is important to diagnose the disease correctly and to put the blame in the right quarter . Usually it is some alleged " materialism ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words