A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 299
... living . The lowest rank and the least challengeable or optional or dispensable - that routine of perception which guards the safety of our every bodily step , that order of expectations or of assumptions in virtue of which we catch or ...
... living . The lowest rank and the least challengeable or optional or dispensable - that routine of perception which guards the safety of our every bodily step , that order of expectations or of assumptions in virtue of which we catch or ...
Pagina 529
... living street by street and door by door , people of the same blood , the same tongue , and at least nominally living under the same laws , but yet one civilized and the other uncivilized . All this I say is the result of the system ...
... living street by street and door by door , people of the same blood , the same tongue , and at least nominally living under the same laws , but yet one civilized and the other uncivilized . All this I say is the result of the system ...
Pagina 547
An Anthology Melvin Miller Rader. may be at hand , but that we now living may see the begin- ning of that end which shall extinguish luxury and poverty ? when the upper , middle , and lower classes shall have melted into one class , living ...
An Anthology Melvin Miller Rader. may be at hand , but that we now living may see the begin- ning of that end which shall extinguish luxury and poverty ? when the upper , middle , and lower classes shall have melted into one class , living ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words