A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 39
... look at a portrait by Raphael , or a landscape by Breughel or Con- stable , it is natural enough to assume that what appeals to us in such pictures is the sum total of what we see with our eyes and understand on the basis of everyday ...
... look at a portrait by Raphael , or a landscape by Breughel or Con- stable , it is natural enough to assume that what appeals to us in such pictures is the sum total of what we see with our eyes and understand on the basis of everyday ...
Pagina 47
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
Pagina 460
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we ... look at the mountain we somehow or other think of the action of rising . Is 460 Vernon Lee: Empathy? From The ...
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we ... look at the mountain we somehow or other think of the action of rising . Is 460 Vernon Lee: Empathy? From The ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words