A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 47
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
... look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become inter- ested in a new fashion in hats ...
Pagina 460
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we ... look at the mountain we somehow or other think of the action of rising . Is 460 Vernon Lee: Empathy? From The ...
... looks as if it were rising . The mountain looks ! Surely here is a case of putting the cart before the horse . No ; we ... look at the mountain we somehow or other think of the action of rising . Is 460 Vernon Lee: Empathy? From The ...
Pagina 461
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that is rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole