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Pagina 39
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art , that the ' work of art becomes as it were
infectious , and communicates what the artist felt to anyone who looks at it .
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art , that the ' work of art becomes as it were
infectious , and communicates what the artist felt to anyone who looks at it .
Pagina 47
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence . We recognize an acquaintance , and wonder why he looks
so dejected this morning , or become interested in a new fashion in hats - the ...
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence . We recognize an acquaintance , and wonder why he looks
so dejected this morning , or become interested in a new fashion in hats - the ...
Pagina 461
So literal and indisputable a statement of the case , I answer , that it explains ,
when we come to examine it , why we should have a thought of rising when we
look at the mountain , since we cannot look at the mountain , nor at a tree , a
tower or ...
So literal and indisputable a statement of the case , I answer , that it explains ,
when we come to examine it , why we should have a thought of rising when we
look at the mountain , since we cannot look at the mountain , nor at a tree , a
tower or ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |