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Pagina 39
We might begin by assuming that the artist himself feels so strongly and puts so much of this feeling into his work of art , that the work of art becomes as it were infectious , and communicates what the artist felt to anyone who looks ...
We might begin by assuming that the artist himself feels so strongly and puts so much of this feeling into his work of art , that the work of art becomes as it were infectious , and communicates what the artist felt to anyone who looks ...
Pagina 47
If we look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become interested in a new fashion in hats ...
If we look at the street itself we are almost sure to adjust ourselves in some way to its actual existence . We recognize an acquaintance , and wonder why he looks so dejected this morning , or become interested in a new fashion in hats ...
Pagina 460
All we mean is that the mountain looks as if it were rising The mountain looks ! ... Very well ; then , ( says the Reader ) we will avoid all figures of speech and say merely : when we look at the mountain we somehow or other think of ...
All we mean is that the mountain looks as if it were rising The mountain looks ! ... Very well ; then , ( says the Reader ) we will avoid all figures of speech and say merely : when we look at the mountain we somehow or other think of ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |