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Pagina 39
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art, that the work of art becomes as it were
infectious, and communicates what the artist felt to anyone who looks at it. Such ...
We might begin by assuming that the artist himself feels so strongly and puts so
much of this feeling into his work of art, that the work of art becomes as it were
infectious, and communicates what the artist felt to anyone who looks at it. Such ...
Pagina 47
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence. We recognize an acquaintance, and wonder why he looks so
dejected this morning, or become interested in a new fashion in hats—the ...
If we look at the street itself we are almost sure to adjust ourselves in some way to
its actual existence. We recognize an acquaintance, and wonder why he looks so
dejected this morning, or become interested in a new fashion in hats—the ...
Pagina 460
All we mean is that the mountain looks as if it were rising. The mountain ... Very
well; then, (says the Reader) we will avoid all figures of speech and say merely:
when we look at the mountain we somehow or other think of the action of rising.
All we mean is that the mountain looks as if it were rising. The mountain ... Very
well; then, (says the Reader) we will avoid all figures of speech and say merely:
when we look at the mountain we somehow or other think of the action of rising.
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitudes beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move nature never object organization original ourselves painting particular patterns perception person phantasies physical picture play pleasure poem poet poetic poetry possible practical present produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social soul sound speak symbols theory things thought tion true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |