A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 549
... machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with the totality of our life - experience : the perverse triumph of the machine follows automatically from the abdication of the ...
... machine itself that we must fear . The chief danger lies in the failure to integrate the arts themselves with the totality of our life - experience : the perverse triumph of the machine follows automatically from the abdication of the ...
Pagina 553
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
... machine itself was as much an instrument of art , in the hands of an artist , as were the simple tools and utensils . To erect a social bar- rier between machines and tools was really to accept the false notion of the new industrialist ...
Pagina 554
... machine would have had to invent them . The new handicraft was in fact to receive presently a powerful lesson from the machine . For the forms created by the machine , when they no longer sought to imitate old superficial patterns of ...
... machine would have had to invent them . The new handicraft was in fact to receive presently a powerful lesson from the machine . For the forms created by the machine , when they no longer sought to imitate old superficial patterns of ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words