A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 170
... latent content . Dreams , then , contain a manifest and a latent content . The manifest content is imagic phantasy , the latent content is affective reality . . . . $ 4 . · • Poetry , like dream , contains manifest and latent contents . The ...
... latent content . Dreams , then , contain a manifest and a latent content . The manifest content is imagic phantasy , the latent content is affective reality . . . . $ 4 . · • Poetry , like dream , contains manifest and latent contents . The ...
Pagina 172
... manifest content at all ? Why are not all images suppressed ? Why is not great poetry like the poetry of the extreme symbolists , a mere collection of words , meaning nothing , but words themselves full of affective association ? Why ...
... manifest content at all ? Why are not all images suppressed ? Why is not great poetry like the poetry of the extreme symbolists , a mere collection of words , meaning nothing , but words themselves full of affective association ? Why ...
Pagina 176
... manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of ... content . But the manifest content , whatever it is , is not the purpose of the poem . The purpose is the specific ...
... manifest contents . But the first poet may be poor in the affective coloring with which he soaks his piece of ... content . But the manifest content , whatever it is , is not the purpose of the poem . The purpose is the specific ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words