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Pagina 141
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
Pagina 332
All of us, I imagine, do, from time to time, get a vision of material objects as pure
forms. We see things as ends in themselves, that is to say; and at such moments
it seems possible, and even probable, that we see them with the eye of an artist.
All of us, I imagine, do, from time to time, get a vision of material objects as pure
forms. We see things as ends in themselves, that is to say; and at such moments
it seems possible, and even probable, that we see them with the eye of an artist.
Pagina 448
The nature of the material, the mode of its working, the construction are never
without influence. But what I should maintain— particularly as against several
recent tendencies— is this, that technique never creates a style, but where we
speak ...
The nature of the material, the mode of its working, the construction are never
without influence. But what I should maintain— particularly as against several
recent tendencies— is this, that technique never creates a style, but where we
speak ...
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |