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Pagina 132
SIGMUND FREUD THE RELATION OF THE Poer to DAYDREAMING We laymen
have always wondered greatly - like the cardinal who put the question to Ariosto -
how that strange being , the poet , comes by his material . What makes him ...
SIGMUND FREUD THE RELATION OF THE Poer to DAYDREAMING We laymen
have always wondered greatly - like the cardinal who put the question to Ariosto -
how that strange being , the poet , comes by his material . What makes him ...
Pagina 141
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production , but as a refashioning of ready -
made material . Here , too , the writer retains a certain amount of independence ...
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production , but as a refashioning of ready -
made material . Here , too , the writer retains a certain amount of independence ...
Pagina 332
All of us , I imagine , do , from time to time , geř a vision of material objects as
pure forms . We see things as ends in themselves , that is to say ; and at such
moments it seems possible , and even probable , that we see them with the eye
of an ...
All of us , I imagine , do , from time to time , geř a vision of material objects as
pure forms . We see things as ends in themselves , that is to say ; and at such
moments it seems possible , and even probable , that we see them with the eye
of an ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |