A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 132
... material . What makes him able to carry us with him in such a way and to arouse emotions in us of which we thought ... material , or into the nature of the ability to fashion that material , will ever make writers of us does not in any ...
... material . What makes him able to carry us with him in such a way and to arouse emotions in us of which we thought ... material , or into the nature of the ability to fashion that material , will ever make writers of us does not in any ...
Pagina 332
... material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems ... material beauty a thrill indistinguish- able from that which art gives ? And , if this be so , is it not clear that ...
... material objects as pure forms . We see things as ends in themselves , that is to say ; and at such moments it seems ... material beauty a thrill indistinguish- able from that which art gives ? And , if this be so , is it not clear that ...
Pagina 448
... material , and technique . The history of art was for it in the last re- sort a history of skill . The new view on the other hand regards the history of art as a history of artistic purpose , starting from the psychological ...
... material , and technique . The history of art was for it in the last re- sort a history of skill . The new view on the other hand regards the history of art as a history of artistic purpose , starting from the psychological ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole