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Pagina 14
Integrity and proportion have no absolute significance and must be understood solely in relation to the end of the work , which is to make a form shine on the matter . Last and most important : this very brilliance of form , the essence ...
Integrity and proportion have no absolute significance and must be understood solely in relation to the end of the work , which is to make a form shine on the matter . Last and most important : this very brilliance of form , the essence ...
Pagina 177
Matter , surrounded by a sensuous poetic glamour , seems to attract man's whole entity by winning smiles . ” So said Marx and Engels of materialism before it became one - sided mechanical materialism , when it was still bathed in the ...
Matter , surrounded by a sensuous poetic glamour , seems to attract man's whole entity by winning smiles . ” So said Marx and Engels of materialism before it became one - sided mechanical materialism , when it was still bathed in the ...
Pagina 501
But the relevance or importance , if not the truth , of any judgment of mediate value , is a matter of the individual critic's taste or constitution , since for any such critic that relevance depends on a judgment of immediate value by ...
But the relevance or importance , if not the truth , of any judgment of mediate value , is a matter of the individual critic's taste or constitution , since for any such critic that relevance depends on a judgment of immediate value by ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |