A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 233
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between “ emotive " and " descrip- tive " meaning . The distinction is between meaning used to evoke emotions and meaning used ...
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between “ emotive " and " descrip- tive " meaning . The distinction is between meaning used to evoke emotions and meaning used ...
Pagina 258
... meaning , one consisting of the persons . . . who hold either that music " does not mean anything , " " is meaningless , " or that what it means is purely musical and not describable in non ... Meaning in Music From Meaning Truth in the Arts.
... meaning , one consisting of the persons . . . who hold either that music " does not mean anything , " " is meaningless , " or that what it means is purely musical and not describable in non ... Meaning in Music From Meaning Truth in the Arts.
Pagina 367
... meaning may occur through the agency of all parts evenly , rather than through a particular one . Many stories are of this character ; there is an unfolding , a working out of something , with no obvious high points . Here and there the ...
... meaning may occur through the agency of all parts evenly , rather than through a particular one . Many stories are of this character ; there is an unfolding , a working out of something , with no obvious high points . Here and there the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words