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Pagina 22
We mean that their bodies are in good trim , that they see and hear and act
quickly and efficiently . ... In this sense the word “ form ” means something like “
shape ” ; it means that we give shape to a number of people for a particular
purpose .
We mean that their bodies are in good trim , that they see and hear and act
quickly and efficiently . ... In this sense the word “ form ” means something like “
shape ” ; it means that we give shape to a number of people for a particular
purpose .
Pagina 186
The experimental definition ( 2 ) , which makes art consist in the expression of
emotions , is inexact , because a man may express his emotions by means of
lines , colors , sounds , or words , and yet may not act on others by such
expression ...
The experimental definition ( 2 ) , which makes art consist in the expression of
emotions , is inexact , because a man may express his emotions by means of
lines , colors , sounds , or words , and yet may not act on others by such
expression ...
Pagina 332
The emotion that the artist felt in his moment of inspiration he did not feel for
objects seen as means , but for objects seen as pure forms -- that is , as ends in
themselves . He did not feel emotion for a chair as a means to physical wellbeing
, nor ...
The emotion that the artist felt in his moment of inspiration he did not feel for
objects seen as means , but for objects seen as pure forms -- that is , as ends in
themselves . He did not feel emotion for a chair as a means to physical wellbeing
, nor ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |