A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 10
... mind is not in- tuitive like the angelic mind : it can perceive , no doubt , but only on condition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
... mind is not in- tuitive like the angelic mind : it can perceive , no doubt , but only on condition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
Pagina 392
... mind so that nothing else but this one presen- tation fills the mind , so that there remains no room for anything besides it . If that ever can be reached , the result must be clear : for the object it means complete isolation ; for the ...
... mind so that nothing else but this one presen- tation fills the mind , so that there remains no room for anything besides it . If that ever can be reached , the result must be clear : for the object it means complete isolation ; for the ...
Pagina 392
... mind so that nothing else but this one presen- tation fills the mind , so that there remains no room for anything besides it . If that ever can be reached , the result must be clear : for the object it means complete isolation ; for the ...
... mind so that nothing else but this one presen- tation fills the mind , so that there remains no room for anything besides it . If that ever can be reached , the result must be clear : for the object it means complete isolation ; for the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words