A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 319
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
Pagina 320
... move us as works of art move us is another , and not an esthetic , question . For our immedi- ate purpose we have to discover only what quality is com- mon to objects that do move us as works of art . In the last part of this chapter ...
... move us as works of art move us is another , and not an esthetic , question . For our immedi- ate purpose we have to discover only what quality is com- mon to objects that do move us as works of art . In the last part of this chapter ...
Pagina 324
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words