A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 319
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
Pagina 320
... move us as works of art move us is another , and not an esthetic , question . For our immedi- ate purpose we have to discover only what quality is com- mon to objects that do move us as works of art . In the last part of this chapter ...
... move us as works of art move us is another , and not an esthetic , question . For our immedi- ate purpose we have to discover only what quality is com- mon to objects that do move us as works of art . In the last part of this chapter ...
Pagina 324
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole