Dall'interno del libro
Risultati 1-3 di 53
Pagina 319
Unless he can make me see something that moves me , he cannot force my emotions . ... For , though A , B , C , D are the works that move me , and A , D , E , F the works that move you , it may well be that x is the only ...
Unless he can make me see something that moves me , he cannot force my emotions . ... For , though A , B , C , D are the works that move me , and A , D , E , F the works that move you , it may well be that x is the only ...
Pagina 320
Therefore , when I speak of significant form , I mean a combination of lines and colors ( counting white and black as colors ) that moves me esthetically . Some people may be surprised at my not having called this “ beauty .
Therefore , when I speak of significant form , I mean a combination of lines and colors ( counting white and black as colors ) that moves me esthetically . Some people may be surprised at my not having called this “ beauty .
Pagina 324
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
I have been inquiring why certain combinations of forms move us ; I should not have traveled by other roads had I enquired ... are perceived to be right and necessary , and why our perception of their rightness and necessity is moving .
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |