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Pagina 319
Unless he can make me see something that moves me , he cannot force my
emotions . I have no right to consider ... For , though A , B , C , D are the works
that move me , and A , D , E , F the works that move you , it may well be that x is
the only ...
Unless he can make me see something that moves me , he cannot force my
emotions . I have no right to consider ... For , though A , B , C , D are the works
that move me , and A , D , E , F the works that move you , it may well be that x is
the only ...
Pagina 320
Therefore , when I speak of significant form , I mean a combination of lines and
colors ( counting white and black as colors ) that moves me esthetically . Some
people may be surprised at my not having called this “ beauty . ” Of course , to
those ...
Therefore , when I speak of significant form , I mean a combination of lines and
colors ( counting white and black as colors ) that moves me esthetically . Some
people may be surprised at my not having called this “ beauty . ” Of course , to
those ...
Pagina 324
I have been inquiring why certain combinations of forms move us ; I should not
have traveled by other roads had I enquired ... are perceived to be right and
necessary , and why our perception of their rightness and necessity is moving .
What I ...
I have been inquiring why certain combinations of forms move us ; I should not
have traveled by other roads had I enquired ... are perceived to be right and
necessary , and why our perception of their rightness and necessity is moving .
What I ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |