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Pagina 276
Or again , " The great ' subject ' of the first movement of Schu- bert's B flat trio represents to me and many the ne plus ultra of energy and passion ; yet this very movement was de- scribed by Schumann as ' tender , girlish ...
Or again , " The great ' subject ' of the first movement of Schu- bert's B flat trio represents to me and many the ne plus ultra of energy and passion ; yet this very movement was de- scribed by Schumann as ' tender , girlish ...
Pagina 475
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise ... character of artistic apprehension , was the dominant critical movement of the first half of the nine- teenth century .
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise ... character of artistic apprehension , was the dominant critical movement of the first half of the nine- teenth century .
Pagina 553
The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least ...
The educational aim of the arts and crafts movement was admirable ; and , in so far as it gave courage and understanding to the amateur , it was a success . If this movement did not add a sufficient amount of good handicraft it at least ...
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Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole