A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 59
... necessary judgments about the conformation of the earth itself ; light again , is so necessary a condition of our existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is ...
... necessary judgments about the conformation of the earth itself ; light again , is so necessary a condition of our existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is ...
Pagina 191
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
... necessary knowledge dislodging and re- placing what is mistaken and unnecessary , so the evolution of feeling proceeds through art - feelings less kind and less needful for the well - being of mankind being replaced by others kinder and ...
Pagina 357
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
... necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake . " Since everything that is ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words