A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 120
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tis- sue of feelings and events ...
... never be seen again . What the poet sings of is a certain mood which was his , and his alone , and which will never return . What the dramatist unfolds before us is the life - history of a soul , a living tis- sue of feelings and events ...
Pagina 398
... never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never ...
... never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never ...
Pagina 398
... never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in all the striving and rushing of ...
... never an end in itself ; can our life be complete in itself if everything comes in question for us merely as a means to something else and never as valuable in its own offering ; does not our mind in all the striving and rushing of ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words