A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 158
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The ... novel translates so well ; why novels are not composed 158 DESIRE AND THE UNCONSCIOUS.
... novel which it is vital to grasp . In the novel too the subjective elements are valued for themselves and rise to view , but in a different way . The ... novel translates so well ; why novels are not composed 158 DESIRE AND THE UNCONSCIOUS.
Pagina 159
An Anthology Melvin Miller Rader. novel translates so well ; why novels are not composed of words . They are composed of scenes , actions , stuff , people , just as plays are . A " jeweled " style is a disadvantage to the novel because ...
An Anthology Melvin Miller Rader. novel translates so well ; why novels are not composed of words . They are composed of scenes , actions , stuff , people , just as plays are . A " jeweled " style is a disadvantage to the novel because ...
Pagina 164
... novel goes out first to reality to draw its sub- jective associations from it . Hence we do not seem to feel the novel “ in us , " we do not identify our feelings with the feeling - tones of the novel . We stand inside the mock world of the ...
... novel goes out first to reality to draw its sub- jective associations from it . Hence we do not seem to feel the novel “ in us , " we do not identify our feelings with the feeling - tones of the novel . We stand inside the mock world of the ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words