A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 382
... object , with all its concrete values , as abstracted from its connections with things that lie beyond the " frame " of the experience . Kant and Scho- penhauer described the nature of this intense focusing upon the object , but ...
... object , with all its concrete values , as abstracted from its connections with things that lie beyond the " frame " of the experience . Kant and Scho- penhauer described the nature of this intense focusing upon the object , but ...
Pagina 445
... object may be so conditioned that it is performed by me not without friction , not without inner opposition . " If I ... object . The former is called by Lipps positive empathy , the latter negative empathy . While this general ...
... object may be so conditioned that it is performed by me not without friction , not without inner opposition . " If I ... object . The former is called by Lipps positive empathy , the latter negative empathy . While this general ...
Pagina 484
... object before him . His problem is simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more ...
... object before him . His problem is simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words