A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 382
... object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the scientific and the esthetic attitude . Since the publication of ...
... object , but Münsterberg has greatly enriched and extended this earlier account . Like Richards and Charles Morris ( see Chapter V ) , he has also distinguished between the scientific and the esthetic attitude . Since the publication of ...
Pagina 445
... object may be so conditioned that it is performed by me not without friction , not without inner opposition . " If I ... object . The former is called by Lipps positive empathy , the latter negative empathy . While this general ...
... object may be so conditioned that it is performed by me not without friction , not without inner opposition . " If I ... object . The former is called by Lipps positive empathy , the latter negative empathy . While this general ...
Pagina 484
... object before him . His problem is simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more ...
... object before him . His problem is simply to decide whether or not the thing before him objectifies a feeling that was his , or one that perhaps he had not yet experienced but that he is able and willing to call his . And once more ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole