A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 225
... objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is , localized or vested in an object rather than in the ...
... objectified pleasure , so esthetic values are not mere emotions but only such emotions as are objectified . And neither pleasure nor any other feeling is objectified , that is , localized or vested in an object rather than in the ...
Pagina 482
... objectified is exactly that which he attempted to objectify , as on the question whether , after thoroughly " tasting " ( through con- templation of his work ) the feeling he has actually ob- jectified , he finds it to be one that he is ...
... objectified is exactly that which he attempted to objectify , as on the question whether , after thoroughly " tasting " ( through con- templation of his work ) the feeling he has actually ob- jectified , he finds it to be one that he is ...
Pagina 484
... objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can be asked , namely , the question whether the feeling actually objectified , i.e. , obtained from the object in ...
... objectified in it is a feeling that they are willing to own . We saw too that another question distinct from this can be asked , namely , the question whether the feeling actually objectified , i.e. , obtained from the object in ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
25 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words