A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 315
... organic unity of rela- tional elements . Content and form , separately conceived , are not in the poem . It follows that the content cannot be paraphrased - that a poem , for example , cannot really be translated . For we have in the ...
... organic unity of rela- tional elements . Content and form , separately conceived , are not in the poem . It follows that the content cannot be paraphrased - that a poem , for example , cannot really be translated . For we have in the ...
Pagina 451
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is re- vived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is re- vived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
Pagina 451
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is re- vived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
... organic life , that is , to naturalism in the higher sense . The feeling of happiness , which is re- vived in us by the expression of organic vitality , what modern man calls beauty , is a satisfaction of that inner need of self ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words