A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 87
... organization . I call the organization dynamic because it takes time to complete it , because it is a growth . There are inception , development , fulfillment . Material is ingested and digested through interaction with that vital ...
... organization . I call the organization dynamic because it takes time to complete it , because it is a growth . There are inception , development , fulfillment . Material is ingested and digested through interaction with that vital ...
Pagina 167
... organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes straight from the word to the affective organization , careless of the reality whose relation it ...
... organization ; biology demands that we go first to the concrete objects , and only then to their rational organiza- tion . Poetry passes straight from the word to the affective organization , careless of the reality whose relation it ...
Pagina 175
... organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one ... organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty ...
... organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one ... organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words