A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina vi
... original works ; the avoidance of repetition ; the extent to which the selections fit into the plan of the book ; and the usefulness of the materials for teaching and study . I have avoided snippity fragments , but I have counted ...
... original works ; the avoidance of repetition ; the extent to which the selections fit into the plan of the book ; and the usefulness of the materials for teaching and study . I have avoided snippity fragments , but I have counted ...
Pagina 205
... original assumption and to conceive that morality is a means and not an end ; that it is the price of human non- adaptation , and the consequence of the original sin of unfitness . It is the compression of human conduct within the ...
... original assumption and to conceive that morality is a means and not an end ; that it is the price of human non- adaptation , and the consequence of the original sin of unfitness . It is the compression of human conduct within the ...
Pagina 439
... original acts that are adequate to those unusual figures . This new life , a life invented after the annulment of spontaneous life , is precisely what we may call artistic understanding and pleasure . This life does not lack in senti ...
... original acts that are adequate to those unusual figures . This new life , a life invented after the annulment of spontaneous life , is precisely what we may call artistic understanding and pleasure . This life does not lack in senti ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Copyright | |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole