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Pagina vi
In preparing this new edition , I have been guided by a number of criteria : the originality , profundity , clarity , and stylistic excellence of the original works ; the avoidance of repetition ; the extent to which the selections fit ...
In preparing this new edition , I have been guided by a number of criteria : the originality , profundity , clarity , and stylistic excellence of the original works ; the avoidance of repetition ; the extent to which the selections fit ...
Pagina 152
But such art is usually second - rate , and pornography in general is but an inverse moralism , and not directly related to the original libidinal forces of the id . We must distinguish between the latent and the manifest sexual factors ...
But such art is usually second - rate , and pornography in general is but an inverse moralism , and not directly related to the original libidinal forces of the id . We must distinguish between the latent and the manifest sexual factors ...
Pagina 205
Their ethical temper and the fetters of their imagination forbid them to reconsider their original assumption and to conceive that morality is a means and not an end ; that it is the price of human nonadaptation , and the consequence of ...
Their ethical temper and the fetters of their imagination forbid them to reconsider their original assumption and to conceive that morality is a means and not an end ; that it is the price of human nonadaptation , and the consequence of ...
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Sommario
Reality and Imagination 3 I Reality and Imagination | 3 |
perience | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness course critic definition described desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give hand human ideas images imagination imitation important individual interest intuition isolation kind knowledge language less live look material matter meaning merely mind moral move nature never object organization original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure qualities question reality reason reference relation represented result scientific seems sense shape significant simple social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |