A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 103
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
... ourselves with the reading of some sensational romance of adventure , where images follow images in the most various and unexpected way ; but we thus enjoy ourselves in moments of fatigue , when we are obliged to kill time , and with a ...
Pagina 132
... ourselves , or in people like ourselves , which was in any way akin to the writing of imaginative works ! If we could do so , then examination of it would give us a hope of obtaining some insight into the creative powers of imaginative ...
... ourselves , or in people like ourselves , which was in any way akin to the writing of imaginative works ! If we could do so , then examination of it would give us a hope of obtaining some insight into the creative powers of imaginative ...
Pagina 179
... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows increasingly subtle , the more the magic lantern show takes on new subtleties and fresh richnesses . Art tells us what ...
... ourselves yet more conscious of ourselves . The more we grip external reality , the more our art develops and grows increasingly subtle , the more the magic lantern show takes on new subtleties and fresh richnesses . Art tells us what ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words