A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 17
... Painting , Sculpture , Poetry , Music , even Dancing , are imitative arts , that is to say arts realizing the beauty of the work and procuring the joy of the soul by the use of imitation or by producing through the medium of certain ...
... Painting , Sculpture , Poetry , Music , even Dancing , are imitative arts , that is to say arts realizing the beauty of the work and procuring the joy of the soul by the use of imitation or by producing through the medium of certain ...
Pagina 252
... painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is ... painting has not traditionally been sheer color design to any such degree as that in which musical composition has ...
... painting , it is spatial design not color design that is the characteristic distinction . The parallel with music is ... painting has not traditionally been sheer color design to any such degree as that in which musical composition has ...
Pagina 314
... painting count for little or nothing - do seem to be the essence of literature ; what is more , to appre- ciate literature , a man must be thoroughly alive to them . So when a writer tries to confine himself to territories which he can ...
... painting count for little or nothing - do seem to be the essence of literature ; what is more , to appre- ciate literature , a man must be thoroughly alive to them . So when a writer tries to confine himself to territories which he can ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words