A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 22
... particular or " specialized " shape , and that shape is the form of the work of art . I have said that the work of art " takes on " its shape , but actually the shape is given to it by a particular person , and that person we call an ...
... particular or " specialized " shape , and that shape is the form of the work of art . I have said that the work of art " takes on " its shape , but actually the shape is given to it by a particular person , and that person we call an ...
Pagina 247
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the ...
... particular pitch ; and to be at a particular pitch is to be at a point fixed in the single series of all the pitches that there are . The important fact for esthetics is not merely that a musical sound has its particular place in the ...
Pagina 349
... particular matter it conveys , as in a well - built sentence you may take pleasure in the build almost apart from the meaning . Even so , style is expressive - presents to sense , for example , the order , ease , and rapidity with which ...
... particular matter it conveys , as in a well - built sentence you may take pleasure in the build almost apart from the meaning . Even so , style is expressive - presents to sense , for example , the order , ease , and rapidity with which ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words