A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 84
... perceived or thought of , it is either preliminary or pathological . The esthetic or undergoing phase of experience ... perceive that which bears us down . We must summon energy and pitch it at a responsive key in order to take in ...
... perceived or thought of , it is either preliminary or pathological . The esthetic or undergoing phase of experience ... perceive that which bears us down . We must summon energy and pitch it at a responsive key in order to take in ...
Pagina 85
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
... perceived , certainly not esthetically . A crowd of visitors steered through a picture - gallery by a guide , with attention called here and there to some high point , does not perceive ; only by accident is there even interest in ...
Pagina 217
... perceive . It exists in perception , and cannot exist otherwise . A beauty not perceived is a pleasure not felt , and a contradiction . But modern phi- losophy has taught us to say the same thing of every element of the perceived world ...
... perceive . It exists in perception , and cannot exist otherwise . A beauty not perceived is a pleasure not felt , and a contradiction . But modern phi- losophy has taught us to say the same thing of every element of the perceived world ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words