A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 84
... perception proceeds by waves that extend serially throughout the entire organism . There is , therefore , no such thing in perception as seeing or hear- ing plus emotion . The perceived object or scene is emo- tionally pervaded ...
... perception proceeds by waves that extend serially throughout the entire organism . There is , therefore , no such thing in perception as seeing or hear- ing plus emotion . The perceived object or scene is emo- tionally pervaded ...
Pagina 194
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
... perception or of susceptibility . If criticism is too narrow a word , pointing exclusively to our more artificial judg- ments , esthetics seems to be too broad and to include within its sphere all pleasures and pains , if not all ...
Pagina 219
... perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the perception , as an integral part of the conceived thing . Nor is it hard to find ...
... perceptions and reactions which that thing produces ; the esthetic idea is less abstract , since it retains the emotional reaction , the pleasure of the perception , as an integral part of the conceived thing . Nor is it hard to find ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words