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Pagina 83
Otherwise , there is not perception but recognition . The difference between the
two is immense . Recognition is perception arrested before it has a chance to
develop freely . In recognition there is a beginning of an act of perception . But
this ...
Otherwise , there is not perception but recognition . The difference between the
two is immense . Recognition is perception arrested before it has a chance to
develop freely . In recognition there is a beginning of an act of perception . But
this ...
Pagina 84
But an act of perception proceeds by waves that extend serially throughout the
entire organism . There is , therefore , no such thing in perception as seeing or
hearing plus emotion . The perceived object or scene is emotionally pervaded ...
But an act of perception proceeds by waves that extend serially throughout the
entire organism . There is , therefore , no such thing in perception as seeing or
hearing plus emotion . The perceived object or scene is emotionally pervaded ...
Pagina 194
... and of nomenclature has accordingly adopted a more learned word , Esthetics
, that is , the theory of perception or of ... seems to be too broad and to include
within its sphere all pleasures and pains , if not all perceptions whatsoever .
... and of nomenclature has accordingly adopted a more learned word , Esthetics
, that is , the theory of perception or of ... seems to be too broad and to include
within its sphere all pleasures and pains , if not all perceptions whatsoever .
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |