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Risultati 1-3 di 85
Pagina 83
It, too, is a process consisting of a series of responsive acts that accumulate
toward objective fulfillment. Otherwise, there is not perception but recognition.
The difference between the two is immense. Recognition is perception arrested
before it ...
It, too, is a process consisting of a series of responsive acts that accumulate
toward objective fulfillment. Otherwise, there is not perception but recognition.
The difference between the two is immense. Recognition is perception arrested
before it ...
Pagina 194
This age of science and of nomenclature has accordingly adopted a more
learned word, Esthetics, that is, the theory of perception or of susceptibility. If
criticism is too narrow a word, pointing exclusively to our more artificial judgments
, ...
This age of science and of nomenclature has accordingly adopted a more
learned word, Esthetics, that is, the theory of perception or of susceptibility. If
criticism is too narrow a word, pointing exclusively to our more artificial judgments
, ...
Pagina 521
ceptions and of the ideal of the fully realized and funded perception at the end of
the series lies in the actual continuity of the physical work of art. It lies in this and
in the continuity of each spectator and in the considerable degree of uniformity in
...
ceptions and of the ideal of the fully realized and funded perception at the end of
the series lies in the actual continuity of the physical work of art. It lies in this and
in the continuity of each spectator and in the considerable degree of uniformity in
...
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |