A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 132
... perhaps not even capable ? Our interest in the problem is only stimu- lated by the circumstance that if we ask poets themselves they give us no explanation of the matter , or at least no satisfactory explanation . The knowledge that not ...
... perhaps not even capable ? Our interest in the problem is only stimu- lated by the circumstance that if we ask poets themselves they give us no explanation of the matter , or at least no satisfactory explanation . The knowledge that not ...
Pagina 322
... Perhaps there is none ; for perhaps they have never had an esthetic emo- tion to confuse with their other emotions . The art that they call " beautiful " is generally closely related to the women . A beautiful picture is a photograph of ...
... Perhaps there is none ; for perhaps they have never had an esthetic emo- tion to confuse with their other emotions . The art that they call " beautiful " is generally closely related to the women . A beautiful picture is a photograph of ...
Pagina 484
... perhaps he had not yet experienced but that he is able and willing to call his . And once more , this decision is one quite distinct from the question whether or not the feeling objectified is pleasant and the object therefore beautiful ...
... perhaps he had not yet experienced but that he is able and willing to call his . And once more , this decision is one quite distinct from the question whether or not the feeling objectified is pleasant and the object therefore beautiful ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words