A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 51
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects . around him and troubles no further . Almost all ...
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects . around him and troubles no further . Almost all ...
Pagina 411
... person to person to which this limit is subject . But it is safe to infer that , in art prac- tice , explicit references to organic affections , to the ma- terial existence of the body , especially to sexual matters , lies normally ...
... person to person to which this limit is subject . But it is safe to infer that , in art prac- tice , explicit references to organic affections , to the ma- terial existence of the body , especially to sexual matters , lies normally ...
Pagina 502
... person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is — and there is also such a thing ...
... person only , or by a thousand alike , the maxim that de gustibus non est disputandum , holds with regard to it . Is there then no such thing as the refining and educating of taste ? Certainly there is — and there is also such a thing ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words