A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 134
... phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to observe than the play ...
... phantasies at times as long as they live . This is a fact which has been overlooked for a long time , and its importance has therefore not been properly appreciated . The phantasies of human beings are less easy to observe than the play ...
Pagina 135
... phantasies as being childish and as something prohibited . If they are concealed with so much secretiveness , you will ask , how do we know so much about the human propensity to create phantasies ? Now there is a certain class of human ...
... phantasies as being childish and as something prohibited . If they are concealed with so much secretiveness , you will ask , how do we know so much about the human propensity to create phantasies ? Now there is a certain class of human ...
Pagina 137
... phantasies , but I will only allude as briefly as possible to certain points . If phantasies become over - luxuriant and over - powerful , the necessary conditions for an outbreak of neurosis or psy- chosis are constituted ; phantasies ...
... phantasies , but I will only allude as briefly as possible to certain points . If phantasies become over - luxuriant and over - powerful , the necessary conditions for an outbreak of neurosis or psy- chosis are constituted ; phantasies ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words