A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 136
... phantasy , castles in the air or daydreams , are stereotyped or unchangeable . On the contrary , they fit themselves ... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The ...
... phantasy , castles in the air or daydreams , are stereotyped or unchangeable . On the contrary , they fit themselves ... phantasy at one and the same moment hovers between three periods of time - the three periods of our ideation . The ...
Pagina 143
... phantasy - life of very general interest . There is , in fact , a path from phantasy back again to reality , and that is - art . The artist has also an introverted disposition and has not far to go to become neurotic . He is one who is ...
... phantasy - life of very general interest . There is , in fact , a path from phantasy back again to reality , and that is - art . The artist has also an introverted disposition and has not far to go to become neurotic . He is one who is ...
Pagina 144
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
... phantasy ; the intermediate world of phantasy is sanctioned by general human consent , and every hungry soul looks to it for comfort and consolation . But to those who are not artists the gratification that can be drawn from the springs ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words