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Pagina 95
And if it be asked why art cannot be a physical fact , we must reply , in the first
place , that physical facts do not possess reality , and that art , to which so many
devote their whole lives and which fills all with a divine joy , is supremely real ;
thus ...
And if it be asked why art cannot be a physical fact , we must reply , in the first
place , that physical facts do not possess reality , and that art , to which so many
devote their whole lives and which fills all with a divine joy , is supremely real ;
thus ...
Pagina 210
Esthetic pleasures have physical conditions , they depend on the activity of the
eye and the ear , of the memory and the other ideational functions of the brain .
But we do not connect those pleasures with their seats except in physiological ...
Esthetic pleasures have physical conditions , they depend on the activity of the
eye and the ear , of the memory and the other ideational functions of the brain .
But we do not connect those pleasures with their seats except in physiological ...
Pagina 519
perceptions of the identical work that is to be noticed . I think I can make this
situation , or rather the succession of situations , clearer by a diagram . The two
main factors are , first , what we ordinarily call the physical work of artthat is , the
stone ...
perceptions of the identical work that is to be noticed . I think I can make this
situation , or rather the succession of situations , clearer by a diagram . The two
main factors are , first , what we ordinarily call the physical work of artthat is , the
stone ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |