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Pagina 95
And |f it be asked why art cannot be a physical fact^we must reply, in the first
place, that physical facts dojnotJJOssessjrealiQ, and that art, to which so many
de- vote_their_whole lives and which fills all with a divine joy, is supremely real;
thus it ...
And |f it be asked why art cannot be a physical fact^we must reply, in the first
place, that physical facts dojnotJJOssessjrealiQ, and that art, to which so many
de- vote_their_whole lives and which fills all with a divine joy, is supremely real;
thus it ...
Pagina 96
with their physics, when they conceive physical phenomena as products of
principles that are beyond experience, of atoms or of ether, or as the
manifestation of an Unknowable: besides, the matter itself of the materialists is a
super- material ...
with their physics, when they conceive physical phenomena as products of
principles that are beyond experience, of atoms or of ether, or as the
manifestation of an Unknowable: besides, the matter itself of the materialists is a
super- material ...
Pagina 519
perceptions of the identical work that is to be noticed. I think I can make this
situation, or rather the succession of situations, clearer by a diagram. The two
main factors are, first, what we ordinarily call the physical work of art— that is, the
stone ...
perceptions of the identical work that is to be noticed. I think I can make this
situation, or rather the succession of situations, clearer by a diagram. The two
main factors are, first, what we ordinarily call the physical work of art— that is, the
stone ...
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |