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Pagina 95
This sounds at first paradoxical, for nothing seems more solid and secure to the
ordinary man than the physical world; but we, in the seat of truth, must not abstain
from the good reason and substitute for it one less good, solely because the first ...
This sounds at first paradoxical, for nothing seems more solid and secure to the
ordinary man than the physical world; but we, in the seat of truth, must not abstain
from the good reason and substitute for it one less good, solely because the first ...
Pagina 210
By bodily pleasures we mean, of course, more than pleasures with a bodily seat;
for that class would include them all, as well as all forms and elements of
consciousness. Esthetic pleasures have physical conditions, they depend on the
activity ...
By bodily pleasures we mean, of course, more than pleasures with a bodily seat;
for that class would include them all, as well as all forms and elements of
consciousness. Esthetic pleasures have physical conditions, they depend on the
activity ...
Pagina 519
The two main factors are, first, what we ordinarily call the physical work of art—
that is, the stone or bronze of a statue, the canvas and pigments of painting, the
score of a piece of music, the paper and print of a book—and, second, the
spectator ...
The two main factors are, first, what we ordinarily call the physical work of art—
that is, the stone or bronze of a statue, the canvas and pigments of painting, the
score of a piece of music, the paper and print of a book—and, second, the
spectator ...
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Sommario
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
Sensuous Elements and Esthetic | 245 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called causes character color complete connection consciousness contemplation course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas imagination important individual interest isolation kind knowledge language less live look material matter means merely mind moral move nature object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represents result scientific seems sense shape significant simply social sound speak suggest theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |