A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 80
Pagina 326
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representative element , and so when they discuss pictures they talk about the shapes of ...
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representative element , and so when they discuss pictures they talk about the shapes of ...
Pagina 438
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
Pagina 438
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
... picture in the new manner with one in the manner of 1860. We will begin , in a simple way , by comparing the objects represented in both of them , per- haps a man , a house , a mountain . Soon we notice that the artist of 1860 has tried ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words