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Pagina 246
so sound can vary in pitch while it remains the same in loudness, or vice versa. It
is such independent variation that establishes the grouping of elements or terms
in all analysis, and in our case a grouping in serial orders. A relation constituting
...
so sound can vary in pitch while it remains the same in loudness, or vice versa. It
is such independent variation that establishes the grouping of elements or terms
in all analysis, and in our case a grouping in serial orders. A relation constituting
...
Pagina 247
If B is higher in pitch than A, and C is higher in pitch than B, then C is higher in
pitch than A. It is clear then that every sound (and we distinguish sounds from
noises by just this criterion that they have clearly perceptible pitch) lies in this
single ...
If B is higher in pitch than A, and C is higher in pitch than B, then C is higher in
pitch than A. It is clear then that every sound (and we distinguish sounds from
noises by just this criterion that they have clearly perceptible pitch) lies in this
single ...
Pagina 248
Of pitch, our control, far from being thus negligible, is both accurate and of the
wide range defined by many instruments. And what in smell or taste corresponds
to pitch in sound? That aspect of an odor or a taste, no doubt, that is specifically ...
Of pitch, our control, far from being thus negligible, is both accurate and of the
wide range defined by many instruments. And what in smell or taste corresponds
to pitch in sound? That aspect of an odor or a taste, no doubt, that is specifically ...
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abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words