A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 133
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality . Notwithstanding the large affec- tive cathexis of his play - world , the child distinguishes it perfectly ...
... play very seriously and expends a great deal of emotion on it . The opposite of play is not serious occupation but - reality . Notwithstanding the large affec- tive cathexis of his play - world , the child distinguishes it perfectly ...
Pagina 134
... play and reality is again abrogated . The adult can remember with what intense seriousness he carried on his childish play ; then by comparing his would - be serious occupations with his childhood's play , he manages to throw off the ...
... play and reality is again abrogated . The adult can remember with what intense seriousness he carried on his childish play ; then by comparing his would - be serious occupations with his childhood's play , he manages to throw off the ...
Pagina 202
... Play We have here , then , an important element of the distinc- tion between esthetic and moral values . It is the same that has been pointed to in the famous contrast between work and play . These terms may be used in different senses ...
... Play We have here , then , an important element of the distinc- tion between esthetic and moral values . It is the same that has been pointed to in the famous contrast between work and play . These terms may be used in different senses ...
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words