A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 98
... pleasures , or several classes together ( the pleasure of the superior senses , the pleasure of play , of consciousness of our own strength , of criticism , etc. ) , or of adding to it elements differing from the pleasurable , the ...
... pleasures , or several classes together ( the pleasure of the superior senses , the pleasure of play , of consciousness of our own strength , of criticism , etc. ) , or of adding to it elements differing from the pleasurable , the ...
Pagina 142
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
Pagina 210
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Art and the Unconscious From | 143 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude balance beauty become Beethoven BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organic ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego THEODORE MEYER theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words