A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 96
... pleasure and therefore at keeping off a pain , art , considered in its own nature , has nothing to do with the useful and with pleasure and pain , as such . It will be ad- mitted , indeed , without much difficulty , that a pleasure as a ...
... pleasure and therefore at keeping off a pain , art , considered in its own nature , has nothing to do with the useful and with pleasure and pain , as such . It will be ad- mitted , indeed , without much difficulty , that a pleasure as a ...
Pagina 142
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
... pleasure by his disclosures . When we hear such phan- tasies they repel us , or at least leave us cold . But when a man of literary talent presents his plays , or relates what we take to be his personal daydreams , we experience great ...
Pagina 210
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
... pleasure a complication which is not present in others and which is the basis of the distinction made by consciousness and language between it and the ... pleasures also help to explain their comparative crudity . 210 EMOTION AND PLEASURE.
Sommario
Intuition | 89 |
Desire and the Unconscious | 127 |
Emotion and Pleasure | 180 |
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course created criticism definition described desire direct discourse Distance distinction distinguished dream effect elements emotion empathy esthetic example existence experience expression external fact feeling give given hand human ideas images imagination important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organic original painting particular patterns perception physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation represents result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole