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Pagina 342
And he does not prove his point by observing that a good poem might be written
on a pin's head, and a bad one on the Fall of Man. That truth shows that the
subject settles nothing, but not that it counts for nothing. The Fall of Man is really
a ...
And he does not prove his point by observing that a good poem might be written
on a pin's head, and a bad one on the Fall of Man. That truth shows that the
subject settles nothing, but not that it counts for nothing. The Fall of Man is really
a ...
Pagina 347
No doubt you may say, speaking loosely, that in this poet or poem the aspect of
substance is the more noticeable, and in that the aspect of form; and you may
pursue interesting discussions on this basis, though no principle or ultimate
question ...
No doubt you may say, speaking loosely, that in this poet or poem the aspect of
substance is the more noticeable, and in that the aspect of form; and you may
pursue interesting discussions on this basis, though no principle or ultimate
question ...
Pagina 348
all of this kind that is in the poem; for in forgetting the words you must have lost
innumerable details of the action and the characters. And, when the question of
value is raised, I must insist that the action and characters, as you conceive them,
...
all of this kind that is in the poem; for in forgetting the words you must have lost
innumerable details of the action and the characters. And, when the question of
value is raised, I must insist that the action and characters, as you conceive them,
...
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means ment merely mind moral nature object organization painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychology pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 18 gen 2007 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |